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Management & Faculty

CAPA Management

What makes CAPA different from other local studios?   It’s simple…it is the unparalleled caliber of our staff and teachers.  Just take a look at our faculty’s credentials as compared to other schools.  Many of our teachers are internationally renowned, are professionally trained by some of the best teachers and choreographers in the world, and only at CAPA will your dancers receive a level of dance education that is simply not available anywhere else locally.  Our ballet teachers are former professional dancers with extensive professional training.  Our tap director has worked internationally and with the likes of Jerome Robbins and Gregory Hines.  Our jazz and contemporary director is one of the top teachers and choreographers in the nation.  That makes us different from other local studios.  After 40 years of success in teaching the art of dance in Moraga, CAPA has an outstanding reputation for quality and attracts the best of the best in the teaching world.   It’s a testament to the experience we provide that several of our staff members grew up dancing at CAPA, continued their dance education in college and in the professional world, and have come “home” to teach for us.  CAPA is a happy place to dance and work…most of our teachers have been with us for ten years or more, and all continue to hone their own skill sets and continue their own dance education.  We believe your children deserve no less than that.  The proof is in the product…CAPA dancers routinely gain acceptance via auditions to elite college and summer programs at The Bolshoi Ballet, Julliard, Boston Ballet, Joffrey, San Francisco Ballet, Alonzo King Lines, ABT (American Ballet Theater), Alvin Ailey, UCLA and many others.  In the last few years alone, three CAPA graduates have been accepted and gone on to the dance program atThe Tisch School of the Arts at NYU…one of the most elite dance programs in the world that accepts only 35 dancers each year from around the world.  For the best, well rounded, multi-genre dance education in the area, CAPA is the only place to be.

Joan Robinson Borchers, Artistic Director

Joan Robinson Borchers began her professional career at age 13 when cast to play Ginger Rogers’ little sister in “Annie Get Your Gun.” Roles with Robert Goulet, Andy Williams, Barbara Eden, Gene Barry and many other stars followed. At Duquesne University, she was a full scholarship student and a member of the world renowned Duquesne University Tamburitzans.  After living and performing in Berlin, Germany, she made her way to El Paso, Texas, where she was a television news anchor for the NBC affiliate.  Joan lived in Moraga from 1973-1999 where she, with her late husband Peter, raised their two daughters, AJ and Megan.  She is now married to Doyle Borchers and lives in the Napa Valley.

Doyle Borchers, Managing Director

Doyle Borchers, a native Texan, is a graduate of the U.S. Naval Academy at Annapolis, where he was Captain of the U.S. Heavyweight Championship Crew Team. In 32 years of service in the Navy, Doyle was an acclaimed fighter pilot, test pilot, and finally, the Captain and Commanding Officer of the nuclear aircraft carrier USS Carl Vinson.  He retired from the Navy and after retiring twice more in the corporate world, Joan convinced him to bring his remarkable management and people skills to CAPA.

CAPA Faculty


Image result for ananda bena weberAnanda Bena-Weber is an interdisciplinary performing artist who has performed in a diverse array of productions and venues throughout the United States and abroad. Her touring solo work, Fancifool!, recently won ‘Best Variety Show’ and was a Critic’s Choice pic at the United Solo Theatre Festival in NYC. Roles in regional theater include: Rosalind (As You Like It), Arkadina (The Seagull), Juliet (Romeo and Juliet), Lady Anne (Richard III), Lola (Damn Yankees), Helena (A Midsummer Night’s Dream), Ophelia and Horatio (Hamlet), and the title role in Medea. Ananda has performed choreographic works by: Gregory Hines, Bob Fosse, Jerome Robbins, Fred Astaire, Hermes Pan, John Cranko, Alonzo King, Bill ‘Bo Jangles’ Robinson, Jimmy Slyde, Marius Petipa, Sam Weber, Rosine Bena, Lynn Dally and others. She fhas performed as a dancer with such companies as: The Jazz Tap Ensemble, The Sierra Nevada Ballet, The Reno Ballet, Peninsula Ballet Theatre, and as an independent artist throughout the US and abroad. An accomplished teacher, Ananda teaches a variety of subjects and has taught classes and workshops throughout the US and Europe. Ms. Bena-Weber was a professor of dance at Marymount Manhattan College, and a teaching artist for the Dance Theater of Harlem and Mark Morris Dance Center in New York for 16 years. She currently resides in San Francisco where she teaches for Alonzo King’s Lines Ballet. Education includes: Goddard College (MFA, Interdisciplinary Arts), San Francisco State University (BA, Theatre Arts and Russian Language and Literature), Shakespeare and Co, American Conservatory Theater, Moscow Art Theater School, British American Drama Academy at Oxford University, Linklater Center of Voice and Speech, and Terry Schreiber Studio. Ananda is a member of the Actor’s Equity Association.



Lynn Brilhante, CAPA’s Jazz and Contemporary Director, is constantly in demand as one of the top teacher/choreographers in the nation, and boasts a long and impressive resume of choreographic and performance achievements, spanning the diverse media of stage, film, television and video.  Her dancing and choreography are often described as dynamic, fluid and gutsy, and her pieces are always among the most memorable in our shows. She brings a fresh and innovative approach to the world of jazz and contemporary, and shows a unique ability to merge and update various elements, in the process creating her own trademark style. These talents have recently earned her a nomination for the Theatre L.A. Ovation Award for Choreography.  Ms. Brilhante has also received the Dance Masters of America Choreographer’s Award and the Robbi Award for Choreography. Her acclaim reaches internationally to the Jazz Workshop, Die Werkstatt, in Dusseldorf Germany, where she continues to be invited as a guest artist. Her success in transferring her love of dance through teaching is evidenced by a flock of loyal students, both in her studio classes in the San Francisco Bay Area and at numerous workshops, master classes and camps throughout the world.  Her contributions will continue to enrich the dance world for decades to come. CAPA is extremely fortunate to have had Lynn as a major backbone of our esteemed faculty for many years.



Lisa Cameron began her dance studies at age 4, with her mother Deborah Pitts, a former professional dancer and member of the CAPA faculty. At age 7, Lisa was given a scholarship to attend San Francisco Ballet School, where she remained for 9 years, continuing to the highest level in the ballet school. At 8 Lisa was given a scholarship to attend the Oleg Briansky Summer Program in New York and at age 10, a scholarship to attend the American Ballet Theater School Summer Program in Los Angeles. During her years at San Francisco Ballet, Lisa performed many roles in the company’s Nutcracker, including a child in the party scene, Clowns, Dragon Flies and Butterflies, performing in more than 100 performances at the San Francisco Opera House. While at SF Ballet, Lisa was chosen to perform in La Bayadere with the famous Bolshoi Ballet. In 2013, Lisa joined CAPA’s Senior Ballet Company and that Christmas and the following year, exquisitely performed the role of the Sugar Plum Fairy in Nutcracker. In 2015, Lisa attended the University of California Santa Barbara, working on a double major in Biology and Dance. She has now returned to the Bay Area where she continues to attend college while working towards her career goal, being a dance educator. We are so delighted to have her back!


Rachel is CAPA’s Ballet Mistress, and was awarded the George Balanchine scholarship at the age of 11 to study with the School of American Ballet in New York City. She went on to receive full scholarships with both the San Francisco Ballet and Hungarian State Ballet School in Budapest. Upon graduation, she was asked to join Ballet de Santiago in Chile at the age of 18. She was promoted to soloist within the year and went on to dance for Ivan Nagy at the Cincinnati ballet as a soloist and principal. She has also danced with Pacific Northwest Ballet, San Francisco Ballet and Smuin Ballet. A few of the roles she has performed are Snow Queen (San Francisco Ballet), The Great Gatsby, Giselle, Paquita, Cinderella (Cincinnati Ballet), & Romeo and Juliet pas de duex (Smuin Ballet). She is married to former professional dancer Sedley Chew and they have three young boys. She has also taught for the Marin Ballet and Contra Costa Ballet. She joined the teaching faculty at Capa in 2009.


We are so fortunate to have Namita, a former CAPA dancer herself, back “home” with us as our Tap Director.  Namita takes tap to a whole new level, having worked with the likes of Jerome Robbins and Gregory Hines, among many others.  She  is an internationally recognized interdisciplinary performer, choreographer, and visual and graphic artist.  From Bollywood to Jazz, Tap, Vocal and Body Percussion, Namita’s varied dance disciplines have resulted in a variety of achievements nationally and internationally.  Her credits include the 1st National Broadway Tour of Bombay Dreams, Bollywood’s “So you Think you Can Dance: Just Dance” with Bollywood film star Hrithik Roshan; Jerome Robbins ‘The King and I,” Mike Myer’s ‘The Love Guru” with Jessica Alba; the internationally acclaimed tap dance company, “Jazz Tap Ensemble,”  and various other national venues from the Joyce Theater NYC, the Supper Club off Broadway, and NYC’s Lincoln Center to international performances and teaching workshops abroad in Brazil, India, Italy, Iceland, Japan and Turkey.  Namita currently performs with Keith Terry’s all body band, Slammin, working closely with international artists in annual Body Music Festivals in the Bay Area and abroad.  Her work also includes collaborations with Bay Area jazz choreographers Lynn Brilhante and Ann Barrett as well as performing Bollywood, Tap and Jazz dance in various venues across the Bay Area.  Namita is currently on faculty at ODC and Rhythm and Motion and is responsible for helping to create and promote Tap and Bollywood Dance in both Youth and Adult programs, as well as choreographing works in their annual productions.  Namita is a graduate of UCLA with a BA in World Arts and Cultures and Fine Art and has performed works choreographed or directed by Jerome Robbins, Gregory Hines, Marguerite Derricks, Baayork Lee, Farah Khan, Lynn Dally, Maria Gillepsie, Vigi Prakash, John Pennington, Sam Weber, Fernando Barba and many others. Namita currently has her own art studio and works professionally as a visual artist alongside her dance career with large art installations in and around the Bay Area.  You can see more of her work at



Debbie, a native of San Francisco, is a former soloist with Oakland Ballet Company, having performed a wide range of soloist and principal roles, including Mother Sweetheart in Eugene Loring’s Billy the Kidd; The Daughter in Dick Kuch’s the Brood; Snow Queen, Arabian and Rose Queen in The Nutcracker; Les Sylphides; Marc Wilde’s Bolero and varied roles in any number of Diaghilev era pieces, such as Boutique Fantastic, Scherazade, Les Noces and Les Biches. Prior to performing with Oakland Ballet, Deborah danced with Dance Theatre of Harlem and as a young dancer with Ballet Celeste in San Francisco. Ms. Pitts has worked with many well-known choreographers, including Leonide Massine, Eugene Loring, Ruthanna Boris and Anna Sokolow. Debbie has been teaching in the Bay Area for more than 38 years. Her tenure includes teaching with Pacific Ballet, Oakland Ballet, Ballet Celeste, and Lamorinda Ballet. Many of her students have gone on to dance professionally at San Francisco Ballet, Oakland Ballet, Cincinnati Ballet and many other companies. In addition to her love of dance, Debbie is the Manager of Public Affairs for Sutter Health East Bay Region and mom to daughter Lisa, who is an accomplished young dancer herself.


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Lynn grew up dancing at CAPA since the age of 5, and we are so happy to have her “home” as our General Manager, Primary Level (“Littles”) Director, and Jazz and Contemporary Instructor.  After thirteen years at CAPA, she attended UCLA where she graduated with a Bachelor of Arts in World Arts and Cultures with an emphasis in Dance Studies.  While at UCLA, she was a member of the UCLA Undergrad Dance Company as well as an assistant teacher at a nearby elementary school teaching movement to children ages 3 through 10.  Since college she has been living in the Bay Area and continues to train under the legendary Lynn Brilhante and Ann Barrett, and also performs with City Dance Studios, Alonzo King Lines Ballet/SF Dance Center, and Dance Mission.  Lynn is also currently an accounting and office manager at a law firm in San Francisco, a dancer in Dick Bright’s SRO, and is training to become a certified pilates instructor through Balanced Body University.  While she continues her own studies to continue to grow as a teacher and choreographer, we are thrilled to have her back at CAPA to pass on her incredible dance training and knowledge to the next generation of CAPA dancers.


While still in high school, Shirley taught ballet and tap for the Sacramento Parks and Recreation Department.  While attending UC Berkeley, she continued to take classes at Berkeley Ballet, Shawl Anderson, and Contra Costa Ballet.  After graduating from Cal, she taught classes at Contra Costa Ballet from 1983 through 1992.  During her tenure at Contra Costa Ballet, she attended several Vaganova training seminars taught by Karen Morell, who was certified in Vaganova pedagogy. Shirley has been teaching at CAPA for 25 years and is known for her wonderful pointe classes.


Stacey is a Moraga native and began her training at CAPA when she was in preschool!  She is thrilled to be back at CAPA, her “second home.”  Stacey attended renowned summer dance intensives with Cedar Lake Contemporary Ballet, Alonzo King’s LINES Ballet, and Hubbard Street Dance Chicago. She received her Bachelor’s of Fine Arts Degree in Dance from New York University – Tisch School of the Arts, graduating with honors and performing works by notable choreographers such as Crystal Pite and Kendra Portier. She then worked with Sean Curran and the Santa Fe Opera in the premiere of the modern opera Dr. Sun Yat-Sen. Stacey also worked with and performed in works by Johannes Wieland and Stella Zannou at the one small step dance festival in Corfu, Greece. Stacey is a founding member of PETRICHOR Dance, a New York based company lead by Dexter Carlson. Stacey has spent two seasons with the Sticky Trace Company in Hamburg, Germany as a performer and rehearsal director. Upon her return to the Bay Area, she has worked with and performed in works by Robert Moses, Alyssandra Wu – Alyssandra Katherine Dance Project, Lenora Lee, and Katie Faulkner. To check out her upcoming performances, check out